jonty harrisonJonty Harrison (born 1952) studied with Bernard Rands at the University of York, graduating with a DPhil in Composition in 1980. Between 1976 and 1980 he lived in London, working at the National Theatre (where he produced the tape components for many productions, including Tamburlaine the Great, Julius Caesar, Brand and Amadeus) and City University. In 1980 he joined the Music Department of The University of Birmingham, where he is now Senior Lecturer, as well as Director of BEAST (Birmingham ElectroAcoustic Sound Theatre) and the Electroacoustic Music Studios; for ten years he was Artistic Director of the Department's annual Barber Festival of Contemporary Music. He has been a Board member of Sonic Arts Network for many years (Chair 1993-96), his main responsibility being liaison with agencies in various parts of the UK in an attempt to establish a National Studio. He plays an active role in the musical life of Britain, serving on a number of committees, as well as making conducting appearances with the Birmingham Contemporary Music Group (most notably conducting Stockhausen's Momentein Birmingham, Huddersfield and London) and the University New Music Ensemble. He has been a member of the Music Advisory Panel of the Arts Council of Great Britain and of the Council of the Society for the Promotion of New Music.
As a composer he has received several Prizes and Mentions
in the Bourges International Electroacoustic Music Awards (including, in
1992, a
Euphonie d'Or
for Klang, cited as one of the "significant works" of the
Bourges competition's history), Distinction and Mention in the Prix Ars
Electronica in Linz, Austria, First Prize in the Musica Nova competition,
Prague, the Lloyds Bank National Composers' Award, the PRS Prize for
Electroacoustic Composition, an Arts Council Composition Bursary and a
Leverhulme Research Grant. Commissions have come from many leading
performers and studios, including the
Groupe de Recherches
Musicales, Paris, the
Groupe de Musique
Expérimentale de Bourges, the
International Computer Music Association, MAFILM/Magyar Rádió, Budapest,
IRCAM/Ensemble
InterContemporain, Paris, the
BBC, the Birmingham Contemporary Music Group, the Fine Arts Brass
Ensemble, the Nash Ensemble, Singcircle, John Harle, Beverly Davison,
Harry Sparnaay and Jos Zwaanenburg.
|
|